GAMESBUYSELL · STEAM · UA

3 Households

This project simulates a fractal family unit or a structure of a home that revolves around a mother, a daughter, and the daughter’s girlfriend. Day and night manifest in the color yellow which was born out of their 49 days of cohabitation after a funeral. You are here to look after a new pattern with 21 boxes that quote trauma transforming techniques. Allow the records to desensitize and reprocess. How to Play There are four types of buttons you can click. Time at the TOP | Move onto the next scene when it’s unlocked. Puzzle in the MIDDLE | Rearrange the boxes into your own SYMMETRICAL SYMBOLS. Guide on the LEFT and RIGHT | Rearrange the words according to your play and trust. RIGHT-CLICK anywhere to enter cinema mode | You can view the whole scene without any UI buttons. LEFT-CLICK anywhere on the screen to enable the buttons. During the game, press F12 to take a screenshot and esc to exit. Running Time Between 3 to 21 minutes. The game can also be played forever as it is fundamentally an endless alarm clock or symbol maker . Recommended Aspect Ratio 16:9 5K, 4K, FHD / 16:10 WQXGA / 32:9 DUHD, DQHD {“The Mind of a Destructive Mother”, “The Quantum Wave Field of a Productive Daughter”, “The Physical Constitution of the Daughter’s Potential Girlfriend” }; Credits Game Design/Development | Cha Yeonså 차연서 Sound/Voice | Lee Sanghwa 이상화 Graphic Design | In Hyunjin 인현진 Illustration | jelriggeom 젤리껌 Photography | Yooahn 유안 Review 1 | Kwak Sojin 곽소진 Review 2 | Cho Hyeyoung 조혜영 Translation/Proofreading 1 | Park Jaeyong 박재용 Translation/Proofreading 2 | Dayun Ryu 류다연 Energy Support 1 | Halo Kim 김헤일로 Energy Support 2 | Nari Sohn 손나리 References 《Concerning My Daughter》(Kim Hye-Jin, translated by Jamie Chang, Restless Books, Kindle Edition, 2022) 〈The Non-Being of the Owl〉 (Bae Suah, Translated by Deborah Smith, 《North Station》, Open Letter, Kindle Edition, 2010) 《Last Words from Montmartre》(Qiu Miaojin, translated by Ari Larissa Heinrich, NYRB Classics, Kindle Edition, 2014) 《The Undying: Pain, Vulnerability, Mortality, Medicine, Art, Time, Dreams, Data, Exhaustion, Cancer, and Care》(Anne Boyer, Picador Paper, 2020) 《Staying with Trouble: Making Kin in the Chthulucene》(Donna Haraway, Duke University Press Books, 2016) 《In the Darkroom》(Susan Faludi, Metropolitan Books, 2016) 《The Body Keeps The Score》(Bessel van der Kolk M.D., Penguin Publishing Group, 2015) 《The S&M Feminist》(Clarisse Thorn, CreateSpace Independent Publishing Platform, 2012) 《Reborn ― Journal & Notebooks 1947~1963》(Susan Sontag, Edited by David Rieff, Farrar, Straus and Giroux, 2009) 《EMDR in the Treatment of Adults Abused as Children》(Laurel Parnell PhD, W. W. Norton & Company, 1999) 《The Blindfold》(Siri Hustvedt, Kindle Edition, 2012 / first published 1992) 〈Lady Lazarus〉(Sylvia Plath, Edited by Ted Hughes, 《Collected Poems》, Kindle Edition, Faber and Faber, 2015) 《The Tibetan Book of the Dead》(Padmasambhava, Penguin Classics, Kindle Edition, 2008) 《수용소와 음악(Music in Concentration Camps)》(이경분, 성균관대학교출판부, 2021. KR) 〈마더-컴퓨터-레즈비언(Mother-Computer-Lesbian)〉(조혜영 외 13인, 《Fantasy without Origin 원본 없는 판타지》, 후마니타스, 2020. KR) 《새벽 세 시의 몸들에게(To the Bodies at 3am)》(전희경 외 3인, 봄날의책, 2020. KR) 《딸에 대하여(About My Daughter)》(김혜진, 민음사, 2017. KR) 《양자의학(Quantum Medicine)》(강길전, 돋을새김, 2013. KR) 《쇠를 먹는 불가사리(Bulgasari Eating Iron)》(정하섭, 길벗어린이, 1999. KR) 〈Die Farbe der Wahrheit: Dokumentarismen im Kunstfeld〉(Hito Steyerl, 2007. DE) 《진실의 색: 미술 분야의 다큐멘터리즘(The Uncertainty Principle of Modern Documentarism)》(Hito Steyerl, Workroom, 2019) Reviews Within the transmogrifying fractal network, we are greeted by someone. That someone, appearing as text on the left side of the screen, is ‘the destructive mother,’ ‘the productive daughter,’ ‘the daughter’s potential girlfriend,’ or the body as a ‘dummy’ that is specific enough to be imagined in our minds. The being repeatedly appears, each time with a different occupation and personality, and we can only be certain of the fact that these infinite bodies are in

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